|
Hans DiplichCreator of
the Danube Swabian Crest Coat of
arms originator, 1950 Published at DVHH.org 2004 by Jody McKim Pharr |
|
As a distinctive imperial
sign the eagle holds his wings protectively over the Pannonian
countryside (Roman province) in the central region of the Danube
and symbolizes the obligation of the Holy Roman Emperor to
protect those borders of the empire. The emperor Charlemagne
chose the eagle as imperial symbol in the 9th century. Since the
12th century it has represented power and unity as the German
coat of arms.
The wavy
chevron symbolizes the Danube - the
river of destiny for the new ethnic
group on which the ancestors traveled in
box-boats called "Ulmer
Schachtel"
(named after the city of embarkation, Ulm). They settled on both
sides of the central Danube regions from the Raab River in the
north-west to the Iron Gate in the south-east, partially as the
emperor’s guards along the defensive military border (protecting
against further attacks). A German landscape was thereby
created. The geographical aspect of the group’s name refers to
the Danube, however, the ethnic content does not refer to a
regional dialect, but rather to ethnological and historical
factors - combined with settlement and folklore - and has become
an understandable expression. Amidst fertile farm land which the
Danube-Swabians made arable stands the strong fortress of
Temeschburg (Timisoara), a symbol of imperial, German defense
fortifications and military border against the Turks. The
fortress flanked by the half-moon, the temporal symbol of Islam
representing the Turkish threats to Europe which was declining
during the 17th and 18th centuries; there is the bright rising
sun, symbol for Christ, who is honored as the sun of justice and
true light - a focal point for the future, and therefore
representing victory and a new beginning for the Western,
Christian culture against barbarity and retreating Islam. This
victory was accomplished through Imperial government and
Danube-Swabian settlement in the Pannonian basin during the 18th
century. The six towers of the fortress represent the six
regions of settlement for the Danube-Swabians: Little Alfold
(the mountains of south-western Hungary), Swabian Turkey (south
of Lake Balato, Slavonia-Syrmia, Backa (Batschka), Banat,
Satu-Mare with the Crisana-Maramures region.
The coat of arms show Germany’s
national colors - black, red and gold, the symbol German
unification as well as colors of German League, are incorporated
into the coat of arms because Danube-Swabians history developed
within the framework of the Holy Roman Empire (under German
kings) until 1806.
White is the symbol for the
peaceful sentiment of Danube-Swabians; green represents hope and
also the new fields of their homeland which were cultivated to
become a grain region.
Coat of arms originator: Hans
Diplich, 1950
Also see:
Hans Diplich, Banat Teacher, Author, Publisher, Artist
***
Hans Diplich was born on
February 23, 1909, in
Großkomlosch/Banat. He
completed elementary school
in his home village, and
graduated from the German
Realgymnasium (secondary
school) in Temeswar (1927).
He then studied German
language and literature, as
well as Romanian language
and literature, in
Bucharest, Leipzig, and
Münster (Westfalen). He
taught at the Banatia in
Temeswar from 1933 to 1941.
From 1941 to 1944 he was
principal of the high school
in Weißkirchen/Fehértemplom/Bela
Crkva. After 1945 he
published many works in West
Germany. He has been
characterized as a 'typical
son of the Banat heath'.
Growing up in a village of
Old Hungary, with German and
Romanian inhabitants, he
developed an exceptional
empathy for those around
him, resulting in admirable
translations and adaptations
of Romanian and Hungarian
poetry. [Nick
Tullius]
Hans Diplich died in
Germany, in 1990. The
following book depicts his
works and their impact:
Werk und
Wirkung / herausgegeben von
der Landmannschaft der
Banater Schwaben in
Zusammenarbeit mit dem
Kulturverband der Banater
Deutschen ; Redaktion, Horst
Fassel. Munchen:
Landsmannschaft der Banater
Schwaben, 1994. [Jacob
Steigerwald]